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    What they say… Kevin Murphy, president and chief executive officer, Onyx Graphics

    What does all the noise surrounding newly introduced Onyx 18 say about development direction at this Canon software subsidiary, and in the large-format market in general?

    If you were on the Onyx stand at Fespa 2018
    you will have seen personnel sporting Onyx 18
    lapel badges and making lots of noise about the
    launch of what is the company’s new wide- and
    grand-format software – a package that enables
    PSPs to prove to customers that colour accuracy,
    consistency and conformance to standards such
    as G7 and Fogra have been met. Who doesn’t
    want that capability? What’s more, it’s the
    first solution compatible with iccMAX, the new
    standard recommended by the ICC for all wideand
    grand-format print applications including
    textile and soft signage.

    In the words of its show press materials, “the
    new release brings next level power and reliability
    to the entire portfolio of Onyx products [Thrive,
    ProductionHouse, PosterShop and RipCenter] with
    the latest Adobe PDF Print Engine (APPE 4.8), a
    high-speed, high-fidelity print platform for increased
    consistency and reliability across proofing cycles.
    Combined with new dynamic tools for print
    production and optimised out-of-the-box presets,
    Onyx 18 delivers fast, superior output for all wideformat
    printing applications.”

    Mark Lewiecki, senior product manager at Adobe
    expands: “With the Adobe PDF Print Engine now
    available in all Onyx solutions, customers can
    expect even greater reliability and consistency
    across their workflows, especially when jobs are
    built using Adobe Creative Cloud applications such
    as Illustrator CC, Photoshop CC and InDesign CC.”

    Sounds impressive, and Bryan Manwaring,
    director of product marketing at Onyx Graphics
    gets very excited about the development, saying:
    “Onyx 18 disrupts the status-quo of existing print
    solutions – it puts the power of Onyx into the
    hands of PSPs to go after that big account and
    distinguish themselves against their competition
    with output quality they can literally prove to their
    customers.”

    Amid the on-stand high energy at Fespa 2018, it
    would seem a no-brainer that PSPs would be rushing
    to buy a product such as this, but a sobering thought
    is that of the 151 PSPs responding to the Image
    Reports’ independent survey of those in the UK/
    Ireland’s large-format sector, only 13 (8.61%) said
    they would be investing in workflow software over the
    next two years (15.23% said they’d invest in design
    software over the same period, 3.31% in MIS and
    1.99% in Web-to-print). But that kind of data won’t
    faze Salt Lake City-based Onyx which, according to
    president and chief executive Kevin Murphy, has seen
    “double digit profit growth over the last three years,
    and turnover approaching double digit growth too.”
    He’s confident that upwards trajectory will continue,
    adding: “We will continue with the same level of
    growth as in the previous three years.”

    Murphy thinks Onyx has a plan to make that
    happen. The company – founded in 1989 and now
    a subsidiary of Canon – set
    out to help customers achieve colour printing on
    electrostatic printers for short run, large-format
    printing and continues to pursue a goal to help
    them increase productivity, reduce costs, and gain a
    competitive edge through consistent colour quality –
    across various print platforms where required.

    Since its foundation Onyx has shipped over 150,000
    Rips – an area where it “will continue to invest in
    development/functionality to increase global market
    share,” according to Murphy, pointing out that “if you
    take China out of the equation we already consider
    ourselves to be market leaders” though he admits
    that “no-one really knows actual market share”. He
    qualifies his claim by saying “our shipments have
    continued to grow in what is a flat market.”

    And there you have a vital clue to where Onyx sees
    its focus for growth – not so much in standalone Rips,
    which used to be around 90% of its unit sales – but in
    workflow products, AKA ‘site solutions’.

    “Printer manufacturers want to optimise their
    sale so they become printer islands. But we want to
    optimise cross-technology platforms within a print production house – so that the red printed on one
    machine is the same as the red printed on another
    from a different vendor. And we also want to give
    them the data they require to be able to make
    strategic decisions for the business, like ‘which
    jobs did I make money on?’,” says Murphy

    He continues: “Rips are still important to us. We
    now have a focus for instance on developing Rips
    for the textile print market where dye-sub needs
    better colour control. And we will continue working
    with printer manufacturers – we work with 125 – to
    ensure that if you have a printer we have a driver
    for it, but ‘site solutions’ is where our future is.

    “It is our aim to become the leader in workflow
    products,” Murphy continues, agreeing that they
    are higher revenue products, and he goes on to
    provide the mission statement: “Your [print] shop
    will never outperform Onyx. However you want to
    print, trust Onyx to have the solution.”

    Having asked Murphy if he thinks large-format
    PSPs though are really ready to invest in workflow
    products, where there’s been something of a slowburn,
    he notes: “The thing is, commercial printers
    are getting into wide-format and they know about
    workflow/automation capability from their past life
    and expect it in this area too. So large-format PSPs
    that were ‘artisans’ of sorts are having to wake-up
    to software solutions to compete. Plus, the market
    has in the past not really had very good solutions
    for the large-format market, just tweaked commercial
    packages. Software suppliers too are waking-up to
    the fact that large-format can be a valuable new
    revenue stream for them if they develop proper
    products. It’s why we are taking more time talking to
    the market and asking the right kinds of questions
    about what they want.

    “How do we get colour consistency across various
    platforms is what we get asked a lot so we work with
    kit manufacturers to come up with solutions for that,
    and Onyx 18 is a real step up on that front, not just
    delivering consistency, but providing proof that PSPs
    can show customers, which is a big issue.

    “Site solutions for mixed technology environments
    is a key ask and a profitable area for us. There’s
    a real demand now for businesses to be run
    more efficiently and so people want an end-to-end
    workflow.

    “Take OnyxHub for instance – 2.0 is due out later
    this year for an improved user experience. The
    market wants a simplified, and where possible a
    more automated process, with data coming from the
    Rip as opposed to someone having to manually input
    it. And they want some sort of analysis rather than
    just data so that they can easily see what are the
    most profitable jobs or whatever. When people look
    at Hub reports they’re often horrified by their media
    wastage. They just assume ink is their biggest
    wastage, but accurate data reporting often shows
    otherwise.

    “The greatest growth in software over the next
    five years will be information led. We’re based on
    the ‘Silicon Slopes’ where we have a great talent
    pool and our aim is to develop products that suit
    all sizes of PSP and that offer different purchase/
    subscription models – including upgrades and
    support – to suit everybody.”

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